At work I have a close friend, Karen Madden, with whom I've attended concerts, participated in endurance races, and shared many conversations about likes and dislikes. We know each other well. So when she walked over to my desk today, stopped, didn't say anything, and kind of looked at me like she wanted to say something but didn't want to say something, I knew it was not good news. She's only given me that look once before in the five years we've worked together, when she heard something within our job didn't go well and I'd be asked about it. So I instantaneously knew this wasn't a crisis. But I knew it wasn't good.
"TMZ just reported," she said, and then paused, "Heavy D. is dead."
Whaaat?
It was so random and sudden. I looked online and verified it and still couldn't believe it. What was crazy was just days earlier I'd seen a new or recent video of his and he'd lost a lot of weight! "He looks good but what do we call him now?" I'd asked K-Mad. "Vitamin D?"
I can't believe that one of the first rappers I genuinely followed is gone, just like that.
I first started really liking hip-hop late in junior high. Previously, I knew of Sugar Hill Gang, but they were like disco era; Grandmaster Flash, who was cool but he and his Furious Five were just that, a little too furious; and LL Cool J, who I respected but he embodied the gold-chain, sideways hat clique that just seemed kind of silly. So admittedly I gravitated more toward pop and R&B.
And I'm still more of an R&B guy. But then 1988 happened.
We all have a year or period we tend to romanticize and this is one of mine. The Fighting Irish won the national championship in football and I fell in love with them. The economy was great. My favorite group, New Edition, had a comeback album. Fades were fresh and high and clothes were colorful. And a new breed of rappers were emerging, primarily from the East Coast, whose lyricism was being heard all the way in my corner of the country, San Diego.
KRS-One. Dougie Fresh. Kool Moe Dee. Big Daddy Kane. MC Lyte. Public Enemy. Tribe Called Quest. Slick Rick.
And one Heavy D., who I'm ashamed to say I still don't know his real name without Googling it.
Now here was a rapper. Quick with a flip of the tongue and clever with a rhyme. He had a crew behind him - "The Boyz" - and they were DJ's, dancers, and singers. That was emblematic of his sound - smooth, catchy, something to which you could easily dance.
And dance he did. It stood out because Heavy D. was, well, heavy. He was a big man. It was as unavoidable as his thick, black goatee and everpresent darkened glasses.
Yet there he was, on "Yo! MTV Raps" or "Fade To Black", pirouetting, spinning, or - the iconic dance move of our generation - doing the Running Man. Hey, go ahead and laugh but when a dance move is done two decades later, if even mockingly, then it's stood the test of time. Heavy would do the Running Man and Cabbage Patch and then either rail against urban street crime or seduce women with his smoothness.
He was versatile. He would crack you up in 1988 with Girls, the girls they love me / 'Cause I'm the Overweight Lover Heavy D. And then he would add punch and credibility to the 1989 ensemble Self-Destruction (for my money one of the best rap songs ever), a USA-for-Africaesque collection of artists pleading for fans to stop stupid violence. And then in 1991 he bowled us over with Now That We Found Love and Is It Good To You, both songs a nod to the radio-friendly, New Jack Swing sound that was taking hip-hop from the underground to the mainstream.
He was dapper. He didn't wear the gold ropes or huge rings other rappers did, but they never begrudged his cardigan sweaters and silky slacks. Yet he was still very street and very respected. Then, in the mid-1990s, always ahead of the curve, Heavy D. was at the forefront of rappers transitioning to acting. Go back and look at his scenes with another pioneering rapper/actor, Queen Latifah, in the sitcom Living Single. It was pure gold and paved the way for Ice T, Ice Cube, and even LL and Will Smith to go from one-dimensional rappers to world-famous actors.
But what I appreciate most was this. Go back to 1988, that romanticized period in my life. I was a kid and as much as I enjoyed the times, I really didn't enjoy me. I had big glasses, thick hair, and three prosthetics. All kids and teens are self-conscious but I was especially so.
Then this big rapper appears on my TV screen and in my radio, proclaiming that he is The Overweight Lover. And you know what? "Girls, the girls they loved him." It was an epiphany. Instead of taking something the world considered a blemish or a blight - his weight - Heavy D. embraced it! He owned it, loved it, and made it a huge positive (not to mention lucrative).
So I started calling myself, that's right, The Handicapped Lover. Yep, even did freestyle rhymes about it at school and impressed many girls.
Now, eventually I grew to disdain that word and chose handi-capable and eventually the more socially acceptable "person with a disability". But this was 1990, man, I was young and I was not embarassed to use the word 'handicapped'. It was what I was physically and if I could accept that, and accept myself, then people could accept me - physically, emotionally, spiritually, unconditionally.
I learned all that from one rap artist.
Sadly, hip-hop has devolved and regressed. At the risk of sounding old (which I am) but even worse, stodgy, rap is not what it used to be. What used to be a beautiful collection of rhymes and storytelling is now an amalgm of bragging, sexual exploits, and violent grandstanding. Radio elevated hip-hop music and has now completely watered it down. It saddens me. Seriously.
Only once in a great while, maybe on a reunion tour or VH-1 special do you see the legends like KRS, Q-Tip, or Lyte. I saw Public Enemy a couple summers ago with my pal Colleen McD at the Street Scene Festival in San Diego, and though Chuck D. was a booming menace, Flavor Flav had degenerated into a reality-show joke. Much love to Flav but come on. Where has the royalty of rap's golden generation gone?
One is in heaven now and he can rest comfortably knowing that he impacted the music world. Heavy D. was a brilliant writer, poet, entertainer, actor, producer, and showman. And to one gawky young teen, he was an inspiration. A light like that never goes out of style.
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